Transparency

People hire a Designer because they feel they need help. They are tackling a project to do with their personal living spaces and are unsure of something about it. It may be as simple a thing as that they don’t have access to the resources they need; so sometimes, in fact, the Clients knows exactly what they want. This is about the only time a Designer is an order taker. It is a very rare occurrence.

This picture is part of a portfolio of window treatments Ms. SpoolTeacher assisted her Client with throughout their entire home.

This one treatment represents many many questions the client had to answer before proceeding, for this window alone:

  1. Do you want to completely block the view or just obscure it or both? (light-filtering/room-darkening)
  2. Will the thermal value play a factor? (heat/cold transference)
  3. Do you want it to traverse or will it be stationary?
  4. Which way should it move on the rod? Is the door opening used?

Those are functional questions. Then come the aesthetic issues:

  1. Casual, elegant, modern, vintage, historic?
  2. Vertical or horizontal emphasis?
  3. Decorative rods or a top treatment or neither/both?
  4. To the ceiling, above the opening? Wall to wall? Stack off the wall?

This client chose a top treatment over traversing semi-opaque sheers. Then the question is, “Do you want the swags to all stack over each other one way or the other or ….

The questions go on and on.

The love of all things fabric, sewing and interior spaces drove Ms. SpoolTeacher into the world of window fashions.

There are many questions the Designer doesn’t even ask the client or share with them unless the client asks. Before the Designer brings in sample books to show the client she will already have summed up the clients best interests and which fabrics will behave the best in that particular design. It isn’t an exact science but there is a need for transparency  (openness, communication, and accountability)  from both the Designer and  the Client.

Understanding the nature of fabrics is learned over time and by handling them and using them.

A client must develop a trust with the Designer to believe that such disparate choices of fabrics will end up looking exceptional overall. To see them all as individual swatches in a book full of other choices; at some point, the Client must just believe in the Designer.

This particular Client had a great sense of what she wanted. The Designer was more of a Director; but the trick was to read the Client’s mind and then find all of those elements from among hundreds and thousands of choices.

Ms. SpoolTeacher in a class, learning her trade. (just a few short years ago!)

And a lot of fun they all had. The girl third from the left was the highest achiever later, but she said almost nothing in the class, she giggled demurely at everything and charmed us all.

We all had a great time as intense as the learning was.

 

A Greasy Spoon Christmas

Christmas Day, Ms. SpoolTeacher and her friend traveled to a little town about 40 miles away. It’s a quaint little town with a few more restaurants. They stopped here first and took a look see…

But ended up traveling up the road to the more conventional spots. They picked a greasy spoon truck stop they had been to before with other friends and it was pretty darn good.

Ms. S.T. just got soup and a salad bar. Matter of fact her friend did too.

Her plate was balanced with color. Her friend’s plate…not so much, at least not his first plate…

Believe it or not, there were plenty of people doing the same thing.

Ms. SpoolTeacher was going crazy snapping shots and her friend tried to hide behind the paper.

She managed to beat him at the game! At one point though, he said, “Why don’t you turn the camera on yourself and take a shot.” So she did.

Elf Jack had a good time, blowin’ in the wind..on a jimmied antennae made from a wire hanger..

There were smiles everywhere..

… and Little Red-Haired Girl was happy to snooze away the day on her pedestal of fluffy soft things up on the doggy sofa.

Happy New Year now. Don’t drink and drive.

Springing From The Hem

photo courtesy: Forest & Kim Starr

One year, young Ms. SpoolTeacher planted a packet of zinnia seeds in the little border patch under the window of her mother’s south facing bedroom window. She would look for any little patch of dirt to dig and dilly dally in, trying her hand at seeing what she could magically make appear. Sowing/Sewing

Whenever she has a day without alterations or sewing for someone else, she goes to her room full of fabrics and do dads and wills herself to do something with something. (It isn’t hard to make herself because that is exactly what she really wants to do anyway)

This day she found a border print that had been forcing itself to the top of the heap for some time. She cut it in half width wise thinking she might just be able to make one to keep and one to sell. It was a little on the skimpy side for the fullness factor (minimum 2.5%), but she knew she could come up with some kind of creative amendment if need be.

The next maneuver was to determine what length she would want. She used her metal yardstick and marked the measurements across the width with her blue chalk. (Measure Twice Cut Once!)

What to add, what to not.

Sewing is very improvisational. Thinking on your feet is a great skill to have. She decided to line it with the same pink she had used on her Red Gingham Dress.

Red Gingham Dress

Should the seam be pressed up, down, open? It makes a difference.

As it turned out, several trims would be added right at the seam and over it; so, it wouldn’t show, so to speak, anyway.

Now for how to gather at the waist.

It struck her that a pocket for a belt or tie to traverse through might be a novel idea. Something different, then the fullness could be adjusted for a smaller or larger waist size. And why not in a small version of the red gingham, especially since she had a wrap of it in her binding collection. Easy, peasy!

 

In her mother’s garden, to her delight the packet of zinnia seeds filed the plot to capacity, reaching ever closer to the sun each day with their brilliant multicolors. She felt thrilled by the lust the little seeds had to spring forth. Nothing she could do seemed to thwart their intent. They were hardy and low maintenance and seemed to love the placement she had chosen for them. They seemed to last forever that summer, reaching, reaching, holding the color intensity in their perfectly formed flowers onward and onward throughout the summer months.

springing from the hem

She learned patience and a little about longevity that summer. A little, too, about hope and expectation.

Ms. SpoolTeacher loves that she has lots of dirt to dig in of her own now. She’s a little frustrated that it is in a desert, where the summer sun is so intense, things only seem to want to grow under filtered tree light. Winters offer freezing just enough to threaten anything that can survive the summer’s scorching blare.

She saves all her table scraps and leaf debris, weeds that haven’t gone to seed and makes messy piles wherever it is convenient. Someday she hopes to have patches of better soil.

She has a garden of sorts inside the house where all the “seeds” of her imagination are sitting on shelves, in drawers, hanging on hangers or half put together into a vision of her own delight. Some things have to wait for the right amendment to come along, just as the grounds around her house are waiting for the leaves and food scraps to amount to enough to amend the composition of nature.

Be sure to put scraps in compost

Sometimes nature does whatever it wants to. Actually it always does.

Compost Heaps out in Ms. SpoolTeacher's yard

volunteer gardening

“Volunteer Garden” … happy, happy, joy, joy!

Anyone want to volunteer to be on Ms. SpoolTeacher’s table for dinner?

How about that!